Nature + Health Archives - The Center Post https://centerpost.rowecenter.org/category/the-center-post/nature-health/ A Journal of The Rowe Center Wed, 12 Apr 2023 19:30:39 +0000 en-US hourly 1 https://wordpress.org/?v=6.4.3 https://centerpost.rowecenter.org/wp-content/uploads/2020/05/cropped-cropped-Site-Icon.owl_.path_-32x32.png Nature + Health Archives - The Center Post https://centerpost.rowecenter.org/category/the-center-post/nature-health/ 32 32 Fermentation Preserves Us Too!- Sandor Katz https://centerpost.rowecenter.org/fermentation-preserves-us-too-sandor-katz/ Thu, 13 Oct 2022 19:30:08 +0000 https://centerpost.rowecenter.org/?p=10371 The post Fermentation Preserves Us Too!- Sandor Katz appeared first on The Center Post.

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Fermentation Preserves Us Too!- Sandor Katz

I have always loved to travel. When I think back to some of the travels of my youth, I can see that long before my interest in fermentation began in earnest, traveling primed me to think about fermentation in ways that I likely would not have otherwise. As a 23-year-old, fresh out of college and seeking adventure, I traveled in Africa for several months with my friend Todd Weir. We didn’t drink, or even encounter, any alcohol as we crossed the Sahara Desert overland through Algeria for a month, taking buses as far as they went, then hitchhiking. But after we crossed into Niger and the increasingly tropical West African landscape, we began to see beer and locally produced palm wine—the fermented sap of palm trees.

The palm wine we encountered and tried was wonderful, and we greatly appreciated the renewed availability of alcohol. I was struck by the fact that the palm wine was always served from open vessels rather than bottles, and seemed to be a product of a cottage industry. The beer that was available was made by national breweries, but the palm wine was all made by people at home, or in very small-scale enterprises. Sometimes we bought it, and other times it was served to us as an expression of hospitality. We were also served homebrewed millet beer and other types of homemade alcohol.

I thought of this often eight or nine years later, after I became interested in fermentation. The literature for hobbyists about home beer brewing and winemaking was so technical. I found it somewhat off-putting in all its emphasis on chemicals to purify the fermentation substrate; sanitization at every step of the process; and special equipment, commercial yeast cultures, and yeast nutrients. All of this made me wonder about the people we had encountered making palm wine and millet beer in remote villages with limited technology and resources. Where were they getting their carboys and airlocks? Where were they getting their tablets of potassium metabisulfite and yeast nutrients? How had they been able to ferment these delicious beverages without all of that? What were the simpler, more traditional ways? Without this experience traveling in Africa, I wouldn’t have known to ask such questions. There, as everywhere, fermentation is an essential aspect of how people make effective use of food resources—not only palm sap, but everything from milk, meat, and fish to grains, beans, vegetables, and fruits.

Fermentation is truly a global phenomenon, practiced and of practical importance everywhere, and people in every part of the world make use of fermentation in similar ways. The benefits are numerous. Fermentation is a strategy for safety, producing acids, alcohol, and a range of other by-products that prevent pathogens from growing. It makes many foods more flavorful, and it underlies the beloved flavors of delicacies including chocolate, vanilla, coffee, bread, cheese, cured meats, olives, pickles, condiments, and so much more. Fermentation extends the lifespan of many foods, among them cabbage and other vegetables (sauerkraut and pickles), milk (cheese and yogurt), meat (salami), and grapes (wine). The most widespread form of fermentation is the production of alcohol, from every carbohydrate source imaginable. Fermentation also enhances nutrients and makes them more accessible, and it breaks down many plant toxins and antinutrient compounds. Certain ferments, eaten or drunk raw after fermentation, provide potentially beneficial bacteria, in great density and biodiversity. The process of fermentation confers all these benefits, and more.

We now understand that all the plant and animal products that comprise our food are populated by elaborate microbial communities. There is therefore a certain inevitability to microbial transformation. Cultures around the world have made use of this inevitability, developing techniques that effectively guide microbial transformation, not only in the context of food, but also in agriculture, fiber arts, building, and other realms.

Yet far from a unified set of techniques, fermentation encompasses a wide array of distinct processes, and it manifests in different ways in different places, depending upon what foods are abundant, what the climate is like, and other factors. The ferments of the tropics are altogether different from the ferments of the Arctic, starting with the starkly different available food resources, and then the varying climate conditions and practical needs compound the differences even more. 

Even when environmental differences are not so stark, the ways that people work out to make use of microbial activity vary from place to place. Witness the diversity of cheeses, all made from milk, for an easy example. Then, because human migration and the resulting cultural cross-pollination have always been such constants, others’ practices and techniques inevitably influence people everywhere. Like seeds, domesticated animals, culinary techniques, or virtually any aspect of cultural practice, fermentation spreads.

Fermentation may be universal, but cultural continuity is not. Around the world, colonization has wiped out entire demographic groups, and displaced others onto unknown landscapes. Indigenous children have been systematically removed from their families, punished for speaking their native languages, and otherwise forced to assimilate into the dominant culture. In our present neocolonial period, the means of oppression have shifted to poverty, social and economic marginalization, and mass incarceration. I have spoken with people who have been unable to find evidence or information about any of their ancestors’ traditional fermentation processes, because the cultural traditions from which they are descended were destroyed, disrupted, or displaced. Even for those whose cultures have not been subject to such destruction, cultural continuity is frequently disrupted by the allure of certain facets of modern life, such as urbanization, specialization, and mass-produced, mass-marketed food. Cultural practices, knowledge and wisdom, languages and beliefs, are disappearing every year. Like any other manifestation of culture, fermentation practices must be used to maintain relevance and stay alive. We must cherish and celebrate the diversity of fermentation practices around the world, and document and share them.

Excerpted from Sandor Katz’s Fermentation Journeys: Recipes, Techniques, and Traditions from Around the World (Chelsea Green Publishing, 2021) ©2021 by Sandor Ellix Katz

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Sandor Ellix Katz’s books Wild Fermentation and The Art of Fermentation, which won the James Beard award, have helped to catalyze a broad revival of the fermentation arts. A self-taught experimentalist who lives in rural Tennessee, Sandor was honored in 2014 with the Craig Claiborne Lifetime Achievement Award from the Southern Foodways Alliance. His most recent book is Sandor Katz’s Fermentation Journeys: Recipes, Techniques, and Traditions from around the World.

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Dancing Together in the Fields- Mary Reynolds Thompson https://centerpost.rowecenter.org/dancing-together-in-the-fields-mary-reynolds-thompson/ Tue, 13 Sep 2022 18:59:33 +0000 https://centerpost.rowecenter.org/?p=10197 The post Dancing Together in the Fields- Mary Reynolds Thompson appeared first on The Center Post.

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Dancing Together in the Fields- Mary Reynolds Thompson

Restoring land without restoring relationship is an empty exercise.

It is relationship that will endure and relationship that will

sustain the restored land. –Robin Wall Kimmerer

 

What saddens me is that with each passing year, we seem to be less able to dance and tussle together in the fields. Our inability to make peace with one another is distressing. This “divide and conquer culture” is increasingly polarizing and exhausting. The notion of Earth as a commons is lost to us, and so is our appreciation for our human and other-than-human communities. 

In our culture, openness often signifies economic opportunity. Every wide-open stretch of land risks being turned into suburban housing tracts or monoculture farms. What does this imply about our own openness? How can we be comfortable standing up for what we believe in, in a world that divides and exploits? What does it take to put our fear aside and remain open to our longing for community, communion, collaboration? Grassland Woman can be our ally, for she knows these qualities of relating are a woman’s natural genius.

It is by remaining engaged and cultivating new partners and alliances that we can bring our vision to life. When we support each other, we create fertile ground for new ideas to take hold. Female friendship overcomes the barriers that would hold us back and relegate us to insignificance. We are simply stronger when we work together. Alicia Garza, co-founder of The Black Lives Matter Global Network, puts it this way, “Figure out what you really care about. Find other people who care about the same things that you do. Join them. And once you do, keep bringing other people along with you.” ¹  

 Grassland Woman knows that many of us are hurting because we feel so incredibly alone. It’s as if we are all backed into our own corners, shouting at each other, with no sense of common purpose or connection. Social media is mostly anti-social. Likes and swipes can never replace a hug or warm embrace. We need real connections––and the capacity to disagree and still work together. I have a best friend from my youth with whom I argue about almost everything, but we love each other and soften each other’s edges. We each grow in this relationship precisely because we don’t think alike. Our robust exchanges aerate and turn the soil and keep our conversation and our relationship always fresh. 

In our hearts and in our homes, in our houses of worship and our town halls, we need to make space for people to come together, across divides, to talk and interact. We don’t need another fundamental, “my-way-or-the-highway” philosophy, we need to mix and mingle, to try to understand each other so we can tend our patches of common ground, however small or scattered they might be. 

The key is empathy. I realized this in a profound way when I was a panelist for “Art and Healing: Words that Hurt, Words that Heal” at the Conference of World Affairs in Boulder, Colorado, just before the 2016 election. The U.S. was in tatters. So many of us were angry and afraid, closed off to one another’s points of view. This division wasn’t just along party lines; we were all furious at different factions within our own parties. The tension in the room was palpable. 

One of the panelists, Athena Edmonds, a poet and advocate for LGBTQ youth, read aloud the heart-wrenching poems she wrote while her trans child, little more than a toddler, fought fiercely and unequivocally for the right to be a boy. “He asked me if his hair was pretty, his eyelashes? Then get rid of them, he said.”

Then a woman stood up and came toward the stage to ask a question. She had a son, she said, who is homosexual. The word seemed to stick in her throat. She wanted help to change her child’s orientation, to make him normal. To send him to conversion therapy. “People can change, can’t they?” Her eyes pleaded for an answer. For absolution.

I could sense the sigh emanating from Athena’s body. The sadness. “I knew a nine-year-old boy,” she told the woman, “who tried to commit suicide because he was trapped in a girl’s body. Nine years old and he wanted to die.”

The woman at the microphone then admits that what she is saying is unpopular. And she is right. Boulder is a progressive community. She returns to her seat on legs as wobbly as a young fawn’s. Yet her question has been received, and she has been brave enough to ask it. 

A reverent silence ensues, so powerful that it appears to shimmer like the light from the windows of the Old Chapel where this session is being held.

“This is what the Rumi is talking about,” I say, referring to poem I had read earlier that begins:

Out beyond ideas of wrongdoing and rightdoing, 

there is a field. I’ll meet you there. ²

“The field is a place to begin the difficult and essential conversations,” I add. “To realize that whether we like it or not, we are in this together. All voices matter. And if they go unheard, then they will poison the ground.”

I let Rumi’s words sink deep. Many of us are crying. As the woman who worried about her gay son sits there trembling, the woman beside her places a hand on her shoulder. And I sense this moment holds the opportunity for something new. Boundaries are dissolving, every person is engaged in this crazy-hard task of staying open, trying to find common ground. 

A few days later, Athena calls me, “I don’t understand it, but there was magic in that room.” Yes, I think. Even now, in this broken and divided world, there is a field.

¹ https://whatwillittake.com/covid-gendered/interview-with-blacklivesmatter-cofounder-alicia-garza/

² Rumi, translated by Colman Barks and John Moyne, The Essential Rumi. New York: HarperCollins, 1995, p. 158.

Excerpted from Mary Reynolds Thompson’s A Wild Soul Woman: 5 Earth Archetypes to Unleash Your Full Feminine Power, launching Fall, 2022

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To Live and Love with a Dying World- Tim DeChristopher https://centerpost.rowecenter.org/to-live-and-love-with-a-dying-world-tim-dechristopher/ Tue, 13 Sep 2022 18:43:49 +0000 https://centerpost.rowecenter.org/?p=10171 The post To Live and Love with a Dying World- Tim DeChristopher appeared first on The Center Post.

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To Live and Love with a Dying World- Tim DeChristopher

IN THE SUMMER OF 2019, the climate activist Tim DeChristopher sat down with Wendell Berry. Berry is a poet and activist, author of over forty books, a recipient of the National Humanities Medal, a 2013 Fellow of the American Academy of Arts and Sciences, and a celebrated advocate for localism, ecological health, and small-scale farming. DeChristopher, as Bidder 70, disrupted a Bureau of Land Management oil and gas auction in 2008 by outbidding oil companies for parcels around Arches and Canyonlands National Parks in Utah. Imprisoned for twenty-one months for his actions, he has used his platform to spread the urgency of the climate crisis and the need for bold, confrontational action to create a just and healthy world.

TD: OK, now we’re recording.

WB: Have we got a limit on this thing?

TD: Eventually.

WB: You mean it’ll wear out eventually?

TD: It’s a big limit.

WB: So now it’s about to be revealed what you’ve got on your mind.

TD: I’ve now been in a position of having a public voice for a little over a decade. That might not seem like a long time, but it’s enough time that it’s caused me to look back over the words and the effort and the actions that I’ve put out there into the public realm, and look at their effect or lack of effect. So I’d love to hear about what that process is like for you — having a much bigger history of putting your voice out there in the public sphere.

 

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WB: In 1965, my friend Gurney Norman gave me my first look at a strip-mining operation. That’s nearly fifty-five years ago, isn’t it? So there I stood on the mountain behind Hardburly, Kentucky, and I saw the bulldozer go in on a wooded mountainside, and throw loose the whole surface of the world. I found that hard to bear. That brought me to something like defeat. How could a human being do that? How could anybody take a machine and destroy the world with it?

As often in my life, I got a book just when I needed it. A friend sent me Georges Bernanos’s Last Essays from the years just after World War II. What disturbed him was not the military humiliation of his country, of France. And he was not appeased or heartened by the Allied victory. What most impressed him, and deeply, deeply disturbed him, was the emergence out of that war of what he called “machine civilization.” He anticipated that the machine would make humankind over in its image.

TD: This is what Bill [McKibben]’s talking about in Falter — we have reached a new level of that.

WB: We’re always at a new level of that. Hitler and Hiroshima reached a new level of that. If humankind can make a weapon, a machine that can destroy not only all the other machines, but us too — I don’t see how climate change can ante up any higher than that.

TD: The level of machine control of human beings now is not bigger than that, it’s not a bigger, more catastrophic, explosive end, but it’s more insidious in so many ways. We’re not just blowing things apart; we’re changing our own DNA in a way that makes human existence meaningless.

WB: I don’t think humans have any power over meaning. Meaning is given to us. We can’t make meaning.

TD: I don’t agree with that. We make meaning all the time.

WB: The ability of humans even to discover meaning is very limited. They counterfeit meaning all the time. You drove here in your vehicle this morning. I’ve got my old vehicle down there on the road. Old country people, we can’t live without burning fuel. We know what that means, but we didn’t make the meaning. We’re a long way from solving this energy problem. The clean power people would cover the whole world with solar collectors.

TD: That’s an issue right now in Rhode Island, where the incentives for solar power have been structured to make it cheaper to cut down a forest and put solar panels out there, than to put it on the miles and miles of mill buildings and parking lots that we have.

WB: You’ve seen pictures of these windmills? They’ll go to a mountaintop and do exactly what the strip miners did. Those windmills are really a threat to the earth. You’ve got to have a permanent platform for them. You’ve got to have a permanent road to them, because they’ve got moving parts. Unlike solar panels. Friction. They’re going to have to be replacing those big blades, over and over and over again. We’ve got three solar panels out there on our hillside; how long will it be before those things make as much energy as it takes to make them? If you need a bolt for your machine, then you’ve got to think about what it cost to make the bolt. And then you’ve got to think about what it cost you to go pick it up. And so on and so on.

Anyway, we’re back to despair. Georges Bernanos, in his despair, said that the state actually is the weakest point of this machine civilization. And your only real power against it is to withhold belief from it. Every time you refuse to believe in it, it’s weaker.

TD: A lot of people have refused to believe in the state, and it’s become increasingly weak.

WB: But if the love of your country doesn’t move you to do something to take care of it, no matter how small or unnewsworthy, then I don’t think you have any protection against despair at all. It really bothers me to hear Trump and the other politicians all invoking fear. Even the people on our side, they’re all telling us: be afraid, be afraid, be afraid. We’ve got to refuse that too. I don’t think this recourse to fear is going to amount to anything. I trust instead people like the great Kentucky farmer Henry Besuden, who said, “If a man loves his soil, he’ll save it.”

TD: What has been weighing on me is how to make sense of that, when that land is lost. There is a lot at this point that is irretrievably lost.

WB: Walmart put a hundred dairy farmers out of business in Kentucky — two of them in this county, good young people whose grandparents had farmed those farms. People they loved had been farming there before them. And we’re telling the young people, “You can be anything you want to be.”

TD: I know a lot of young people trying to get into farming, a whole generation of people inspired by your work, but the deck [is] stacked against them.

WB: They’re hard up against it. They’re driven to the economic margins in the first place. They can’t come out here and buy prime land for five thousand dollars an acre. They don’t have five thousand dollars an acre; they can’t make five thousand dollars an acre. I know my responsibility in this; I take it very seriously. I’ve written a lot of letters, saying, “Don’t do it.”

TD: Don’t do what?

WB: Don’t try to farm if you don’t know how, if you can’t find the teachers you need, if you can’t afford loss of income. I’ve had letters coming from people: “I’m going to quit my job and move to the country and farm.” And what do you say that’s responsible? Oh, by all means? No. You have to say, “Don’t do it.”

TD: Is the path that they’re on, working for some corporation, any more dangerous or destructive than them failing at farming for a little while before they figure it out?

WB: And damage the land by this ignorance? And let the stress destroy their marriage? And then go back to work for the corporation?

TD: Maybe learning something and then trying to do it better.

WB: That failure, reducing yourself to nothing, is high tuition. What’s the gain? I think the test is whether you’re willing to do the small thing that needs to be done, and can be done, by the right standards. This is not going to cure a big despair for the fate of the world. It’s only a part of the cure. If you’re going to indulge that big despair, you’re up the creek without a paddle. It’s possible to learn to farm if you find good teachers — and, at present, if you have an off-farm income.

TD: Does that mean that you just have to ignore what’s going on at scale? Taking all those steps forward, doing things the right way in your community, moving things forward with your localism, but looking around and seeing that you’re on a big treadmill that’s moving all of it backward — how do you not say, “We need to turn off the treadmill”? Especially when you see others falling off.

“Live so far as you can in opposition. You’ve got to live and love.
You’ve got to find the answers in your heart.”

 

WB: Well, the next thing you do is blow it up?

TD: I would be very tempted to go down that path if it weren’t so abundantly clear that our opposition is the greatest force of violence in history. [Our opposition] has mastered that game better than anybody, would love nothing more than for us to play, because they know that that’s where they can win.

WB: What I would like to do, better than anything, would be to shoot a drone. How far above my land does my title extend? If I don’t at least own the air to the tops of the tallest trees . . .

TD: If that turns out anything like that legal question in the opposite direction — how far underneath your land do you own — it won’t turn out well for people that want to stop big corporations from exploiting what’s underneath them or above them.

WB: You’re speaking of the history of the broad form deed in the Kentucky coal fields.

TD: And the split estate, with fracking issues throughout Pennsylvania, Wyoming, and everywhere else.

WB: You can acquire the “mineral rights.” That’s what the broad form deed gave to the coal companies: the right of access to their property, the coal. For many years the Kentucky courts continued that as the right of the company to destroy the surface. Finally, an organization called Kentuckians for the Commonwealth made a campaign against it and got it overturned by 80-something percent of the vote.

TD: But even if you’ve got the mineral rights for a certain piece of land, if that’s part of a big shale pool underneath, they’re going to suck the oil out of there whether you sign the papers or not.

WB: Those are the people who have the wealth and power, and there’s no easy, immediate answer to that, except to live so far as you can in opposition. You’ve got to live and love. You’ve got to find the answers in your heart.

TD: But that gets more complicated every day, to learn how to live and love with a dying world and a broken society. Exponentially tougher when you’re talking about farmers in Honduras who can’t grow anything anymore because of how dramatically the climate has changed. Or farmers in Syria, who are forced off of their land because of the drought and watched their country be destroyed by civil war as a result of that mass migration. We’re just at the beginning of that. We will see hundreds of millions more of those sorts of refugees forced into migration and—

WB: You realize, don’t you, that you’ve won this argument?

TD: What is localism’s answer to refugees? To those whose homeland is not livable anymore? Whether that place is underwater, has turned to desert, was destroyed by American imperialism and our desire for more resources?

WB: You’ve won this argument. The argument for despair is impenetrable, it’s invulnerable. You got all the cards. You got the statistics, the science, the projections on your side. But then we’re still just sitting here with our hands hanging down, not doing anything.

One of the characteristics of the machine civilization is determinism. You’ll find plenty of people who’ll tell you there’s nothing you can do, it’s inevitable. You can’t make an organization to refute that; you’ve got to do it yourself. You’ve got to cleanse that mess out of your heart. Among our own people, the only communities who’ve done that have been the Amish. Their communities have survived. We were living very much like them when I was a boy here, doing our field work with horses and mules — [A device in Wendell’s pocket beeps].

TD: There’s a machine talking to you.

WB: I’ve got this damn thing. It’s called a “flip phone,” I think. It’s fixed so I don’t have to hear from anybody except Tanya.

TD: You want me to erase that from the recording so nobody knows you have a cell phone?

WB: I just pushed the button down. That kills it. This county here was full of self-employed people, full of people who were living without bosses. There were a lot more people going to church here then than now, and I’m sure they were all hearing, from time to time, Jesus’s two laws: love God and love your neighbor. And the difference between us and the Amish is that they took that law as an economic imperative. If you love your neighbor, you can’t replace your neighbor with a machine. And that so far has worked for them. But the key to it is love. That doesn’t mean that you’re going to like your neighbor.  It means that you know what the commitment to love requires of you, and you’re going to keep the commitment. The Amish in fact keep the commitment.

TD: Right.

WB: David Kline just published a book called The Round of a Country Year. One of the remarkable things is that it’s a happy book. David’s family, his neighbors, they’re cooperating all the time, and nobody’s overworked. Somebody will start a task, somebody will come to relieve that person. At two o’clock in the afternoon, somebody comes with a fresh team of horses and finishes the work.

TD: So take that community as an example. That happy community that is working sustainably in that way. Now let’s say, even a small fraction of the 80 million Bangladeshis whose homes are less than ten meters above sea level, who are losing their homes right now, every day — a small portion of them, just a few hundred thousand, show up at that community. How do they respond? What is that community’s response to that mass migration?

WB: Well, we can’t answer that because it hasn’t happened yet.

TD: But there’s a knock on our door every day. The people who are coming from places that are no longer livable — in large part because of the actions of this country and others like it. We have to have an answer. I see folks like David Fleming, who are explicit that a local economy requires barriers to entry. He’s pretty explicitly opposed to immigration. And when we look at the pattern of migration, the military has an answer, the xenophobes have an answer.

WB: What’s the military going to do about it?

TD: When it became clear that all those people in Bangladesh are going to lose their homes, India built a border fence all the way around Bangladesh. A nineteen-hundred-mile, partially electrified border fence. Over the past decade, there’s been a proliferation of border fences, between rich and poor areas, across the world. The military’s answer is genocide — we’re going to make sure these people die right where they’re at. So if we’re going to live in love in this time in history, we need to have a better answer.

WB: Well, here we are, wasting time. What are we doing here? Why aren’t we out somewhere else doing something else? Why are we just sitting here talking?

TD: Because we don’t know what to do. That’s what I’m trying to say. It’s really complicated to live in love, at this time.

WB: We do know what to do. We need to take care of the responsibilities that we’ve got.

TD: Where are the boundaries of those responsibilities, though? In this interconnected age, when we have benefited so much from an extractive, interconnected, globalized world?

WB: The effective boundaries of responsibility are your own limits. There’s so much you can do, and you ought to do it. That’s all. But to sit here and hypothesize the worst possible thing that could happen and decide what we’re going to do about it, or what the Amish are going to do about it, seems just a waste of time.

TD: As we’re already seeing those impacts, I would disagree. Because we’ve avoided having that conversation, but those who profit from the exploitation of other people have thought about it. So when those unprecedented situations happen, they’re the ones with the plan on the table, they’re the ones people turn to because they’ve got answers.

WB: Because they think the answers are simple.

TD: Right.

WB: Well, I think the burden of our conversation is that the answers are not simple. They depend on people taking responsibility. If you’re absolutely convinced of the evil of certain people, you can become John Brown. You can go to those people’s houses at night and drag them out of bed and kill them. He was a professed Christian. But Jesus didn’t tell you to go and drag anybody out of bed because they’re evil. If you believe in the real answer, if you believe really in honoring the being of all the people and all the creatures who have being, including the rain and the rocks, then you can’t have simple answers.

TD: But it doesn’t mean not confronting them. Jesus didn’t say, Go drag violent or dangerous people out of their bed, but he did say, Turn the other cheek for it to be struck as well. And I think we often forget about that last part, about it being struck as well. We’re not turning the other cheek and walking away. We confront that force of violence with our vulnerability.

WB: You going to do that in Bangladesh?

TD: There’s a way of confronting those power structures that would put kids from Honduras in cages. To confront them with that force of our vulnerability. To arouse the empathy of all those who can see. The genius of that instruction from Jesus is that empathy is the strongest part of human nature. Going out and hitting somebody, dragging them out of their house, doesn’t rattle anyone awake from a culture of violence. But that force of vulnerability is so countercultural, the empathy rattles people out of their sleepwalking.

WB: Jesus didn’t tell us to be ashamed of being unassaulted. He didn’t say we should hunt up somebody to slap our face.

Not too long ago, a bunch of us sat in the governor’s office. Maybe that rattles some people, I don’t know. But do you know the score on the opposition to strip mining in this state? About a hundred to nothing. It’s a wipeout. We haven’t won a damn thing. We’ve walked our legs off, made speeches, written essays. I wrote my first essay against strip mining in 1965. I don’t mean that I shouldn’t have done it. Not at all. The triumph is that the counterargument has lived. I’ve helped a little to keep the idea of husbandry alive. The other side hasn’t scored so far as to wipe out the opposition. I think you helped that. I think I helped a little bit. However bad it gets, anybody willing to act with goodwill, in good faith, with some competence in acting, can make things a little better. I don’t care if it’s the last day of the world. That’s my faith.

We don’t have to go to Bangladesh to find desperate people. Eastern Kentucky’s still poor. We’ve had two political parties in this state in my time, both of them were for coal. And that money has left here. Suppose we say, Well, coal’s finished. What else do we have? We have people. We have streams. We have the forest, and we have some bottomlands along the rivers and creeks that are arable and could produce food and income for the local people. Why don’t we do an inventory up there, see what we’ve got?

TD: But even looking at what is available is blocked. In West Virginia, it’s the same story. Every year in Obama’s proposed budget, he had money in there specifically for economic diversification of West Virginia, targeting the coal mining areas. But every single year, the congressional delegation cut that money out of the budget. Every single year, they said, “We don’t want our people to have any other options,” because they’re beholden to the coal industry. That’s both Democrats and Republicans.

WB: You’ve got two bunches of officials, one as hypocritical as the other. So you need to look for a way to bypass those people. There’s the forest up there. Do you have to harvest timber from that forest by way of skidders? A new one costs about $300,000. From what I’ve seen, there is a better way of forestry. Logging with horse or mule teams to minimize the incidental damage. Employing the right kind of energy, increasing work for people. And worst-first, single-tree selection. Worst-first singletree selection means that you go into these degraded woods, which is about all we have in Kentucky, and you look around, and you see what trees are, by a fairly reliable definition, worst. Misshapen, diseased. Enough of that low-grade stuff to pay for getting it out. The idea is not to make a once-in-a-lifetime bonanza, but to go back again in fifteen or twenty years with the same proposition — look at every tree, take the worst, leave the best. You keep the forest ecologically intact. Every time you go back, the quality is better.

“Well, I think the burden of our conversation is that the answers are not simple.
They depend on people taking responsibility.”

 

TD: And so we should apply that to the politicians, is what you’re saying?

WB: No!

TD: Go in and take out the worst first.

WB: If there are arable lands along the creeks and the rivers, the people in those regions ought to be eating from that land. So it’s very discouraging to go up there, drive along those creeks and river bottoms, and see them in soybeans.=

TD: Down the road from here a couple miles, there’s sixty-three acres for sale, all monocrop corn.

WB: That used to be a diverse farm, and the plunderers got ahold of it. You may have noticed that there’s a long, steep hillside along there that has to drain down to and across that bottom, and there are no waterways across it.

TD: So it just washes out the soil and drowns the crops?

WB: World destruction is a discounted cost of production. Two or three people have been ruined there. It’s unsustainable even from an economic point of view. Nothing good can be said for it. Farming now pays a lot more to the people who buy the product and furnish the so-called inputs than to the farmers, and that’s probably been the way most of the time from the very start of agriculture. The village cultures of the Middle East got rid of their crop surpluses in natural ways: I’ve got too much of this, you’ve got too much of that, let’s trade. But then came writing. And after the writing, the bureaucrats, the people who could keep track of the crop, predicting production and so on.

TD: Maintain a debt ledger.

WB: That’s right. And so the first city-states grew upon crop surpluses that could be cornered by the worst people. Farmers thus became a captive population, and a lot of the wars of those times would be for slaves to add to the workforce. So that goes way back. Now I’m reading about the Aborigines in Australia, who had a much better land use record until the English got there in 1788. Archaeologists have found grain mills there that go back thirty thousand years, which means these people were baking bread thirty thousand years ago. They were building very sophisticated fish traps. They were keying the stones of the traps into the bottoms of the river so that the floods wouldn’t move them.

They also had a working relationship with killer whales. They built two fires along the shore, and some fellow would walk like a hungry old man on his last legs, back and forth between those fires. And that would let the killer whales know that the humans needed something to eat. And they’d drive the other whales in and beach them out. For their reward, they got the tongues out of those beached whales. And that relationship went on after the white people came. The white people were taking part in it until one of these settlers killed the lead whale of the killer whales. That ended the partnership immediately.

TD: Do you think that kind of deep relationship with the nonhuman world is still within us? That we can tap into that?

WB: Oh, sure it is. It’s called sympathy. Sympathy is part of imagination. We still have that capacity in us. We could see the need for it, cultivate it, and recover it. After all, a thousand years is not very long.

TD: The next thousand years will be, though.

WB: The unfortunate people who are going to live for a thousand years are going to get pretty damn tired of it. But — oh, there’s a warbler out there on the grapevine.

TD: I saw him earlier. He’s eating your grapes.

WB: No, the grapes aren’t ripe. I don’t know that bird.

Guy Mendes: What’s the yellow bird?

WB: That’s a wild canary or goldfinch, male. Purple finches are eating at that feeder. So you see, the world is still furnishing beautiful birds and flowers, and it’s showing us human goodness, and it’s making us love each other. And we would be wrong if we don’t let ourselves be happy because of those things.

I had a student one time who told me she wasn’t going to be happy until everybody was happy. I was up there on the hillside one night, thinking about that girl, wondering what would be better use of adding one more unhappy person, and I made a poem:

 

 

 

 

O when the world’s at peace and every man is free
then will I go down unto my love.
O and I may go down several times before that.

TD: I don’t know if I ever told you this. When I was in prison, there were all these people who had paid attention to my case and my story. So I’d get all these letters, like a dozen a day, and so many of the letters would start out saying, I really don’t know what to write to someone in prison, because they hadn’t had that experience. But it was remarkable how many of them said, I don’t know what to say to someone in prison, so here’s this poem by Wendell Berry . . .

WB: I’m grateful to them for that. And grateful to my poems if they were any comfort to you.

I got a letter from a woman, she talked about self-creation and autonomy. She wanted to know why her relative gave up his job and went home to help his dad farm. I suggested that they might have loved each other. That they might have loved their ranch. But then I said, “You were born into dependence and you’re going to die in it.”

TD: There’s been such a cultural trend that that father who said, Come home, I need you — to even say that is an expression of failure. To need other people is increasingly defined as failure, when that’s the fabric that holds us together. It’s such a gift for that son, to be needed.

WB: My son fell and hurt his head, fractured his skull. He was laid up for quite a long time, and his neighbor came right straight over and began taking care of his cattle. That was not something my son could repay him for. In a sense, in the right sense, it was prepaid. His neighbor knew that if he needed my son, my son would be there. If my son should make some gift to the neighbor, that would be an acknowledgment, not a repayment.

TD: And an expression of gratitude. If you start with the understanding that all that we have is a gift, then everything we offer is an expression of gratitude. And the neighbor who came and helped him out, that’s why it was prepaid. Everything he already had was a gift. His time was a gift.

WB: It’s a pretty complex business. You begin to see the complexity of this interdependence of neighbors and all that’s involved. You can despair: how will we get it back? Plenty of people will tell you the loss of it in so many places was inevitable. Bernanos said that we would never accept the destruction of our machines, but we accepted the massacre of thousands of people. He’s really telling us that it had already happened to us. It was too late, in a way.

TD: What was it too late for?

WB: To stop the coming of the machine civilization. It was already there. The nuclear bomb was the announcement.

TD: I’ve had a lot of conversations with people about what it means to be “too late” to stop climate change. And I feel very strongly that it doesn’t mean that it’s too late to continue to live in love in that way, and continue to do the work that we were called to do.

WB: Right! So if you received notice from the archangel, “This is the last day of the world,” what would you do? Get up and go to work? My grandfather told my father, “The day after I die, get up and go to work.”

TD: I had to learn that when I was getting ready to go to prison. Initially, it looked like things were going to happen quickly.

I had a trial date that first year, and so when October came around, I was a month or two away from trial, and I thought, Does it make any sense for me to plant garlic this fall? Because I’ll be in prison by June. I thought about it for a while, and I planted the garlic anyway. Somebody will be here to harvest that garlic, right? Then my trial kept getting delayed, and, next June, I harvested that garlic.

WB: What a disappointment!

TD: Then that November, a month away from trial again: Should I plant garlic again? You never know Sure enough, the next year, I was still around to harvest it. I got locked up right after that.

WB: It was the Shakers who were sure the end could come anytime, and they still saved the seeds and figured out how to make better diets for old people. Thomas Merton was interested in the Shakers. I said to him, “If they were certain that the world could end at any minute, how come they built the best building in Kentucky?”

“You don’t understand,” he said. “If you know the world could end at any minute, you know there’s no need to hurry. You take your time and do the best work you possibly can.” That was important to me. I’ve repeated it many times.

TD: That’s why the despair is not paralyzing. Knowing that it’s too late to prevent collapse, knowing that we’re not going to stop the catastrophic end, knowing that we’re going to die — it doesn’t mean that we stop. It means that we live in this moment as fully as we can.

WB: I had a neighbor here, a happy man, a very good man, who said something to me that I lined out as a poem. It is a poem:

Something better, something better!
Everybody’s talking about something better!
The important thing is to feel good
and be proud of what you got, don’t matter if it ain’t nothin’ but a log pen!

That’s my argument in favor of this world, against the determinists. I depend on what I know of human goodness, but also on the flowers and the butterflies and the birds. The otters and the swallows — a lot of their life is just spent having a hell of a good time. The animals, so far as I can understand them, have a great deal to say in favor of life. It’s a good world, still.

 This article originally appeared:

Spring 2020 issue of Orion Magazine

TIM DECHRISTOPHER

TIM DECHRISTOPHER

Tim DeChristopher, environmental activist and co-founder of Peaceful Uprising and the Climate Disobedience Center, is widely known for disrupting a Bureau of Land Management auction in order to protect over 150,000 acres of public lands in Utah. He spent nearly two years in prison for this action, despite the Obama Administration later determining that the auction was illegal. Following prison, Tim attended Harvard Divinity School believing that his conviction was reflective of a larger moral crisis in this country. Tim has used his many platforms to highlight the urgency of the climate crisis and to call for bold action to create a just and healthy world. He currently lives in Maine where he continues to work on climate issues and to help rebuild connections to the Earth through regenerative farming.

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My Body, The Ancestor- Sophie Strand https://centerpost.rowecenter.org/my-body-the-ancestor-sophie-strand/ Thu, 11 Aug 2022 00:22:05 +0000 https://centerpost.rowecenter.org/?p=10058 The post My Body, The Ancestor- Sophie Strand appeared first on The Center Post.

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My Body, The Ancestor- Sophie Strand

Charlotte Du Cann talks with the poet and ecological storyteller Sophie Strand, about interstitial thinking, unruly connections and how to hold a ‘deep life’ practice. With mycelial artwork by Graeme Walker.

Her words caught my eye: a lament for a robin, its wing like a sundial on the road for Dark Mountainrequiem’ issue. She startled me: speaking about becoming compost for the future at the Borrowed Time summit on death, dying and change. And yet her stories are all vibrantly entangled with life: the nectar-seeking of hummingbirds, the anarchy of the vegative god Dionysus, the fortitude of the hermit crab who waits on the strand for others to appear, so they might simultaneously exchange shells they have outgrown: that moment of vulnerability, of exposure, we need to inhabit a different form. How life happens in between states, a collective dance we dont always see yet is everywhere all about and inside us.

Poet and writer Sophie Strand lives in a liminal world, at the confluence of a river and a creek in the Hudson Valley. Her ecological storytelling’ taps into the interstitial web of life, where metaphors act as bridges to other dimensions, criss-crossing like the hyphae of fungi, and delve into the microbial underworld. Some of her acute sensitivity to the natural world has been catalysed by trauma and an incurable condition that sends her body into meltdown at unpredictable times.

I wanted to talk with Sophie because she speaks of opening out and connecting in a culture of closing down and control, of merging with others in a time of individualism and constriction. In a series of luminous short essays she writes of a practice of deep life’ whereby we can stitch ourselves back’ into our local territories and feel and think as ecosystems. We spoke across the continents and waterlands one winters day.

Charlotte Du Cann: Your writing and Dark Mountain both focus on weathering collapse when the current responses to planetary crisis are to try to save and fix. How do you use this as a metaphor in your writing?

Sophie Strand: Collapse can be the most generative experience. We can’manage an ecosystem! What hubris to think human beings can enter into millions of interconnected, complicated, refluxing, pricking, stinging, collaborating relationships, and manage it. Just as we can’t organise an ecosystem, we can’t plan collapse. We can’t narcissistically techno-fix a way through this. We have to enter into it.

Im in a body that does collapse sometimes. I can take all the right medicines, take care of myself and it will still melt. Contracting around that inability to control myself limits my improvisational ability to dance with uncertainty. Collapse is when things that shouldnt be connected merge. When the river overflows its banks and inundates the soil and washes things away is the moment when materials and elements that would never meet each other, touch. I think there is something inherently haptic (in the sense of meaning touch and also fasten) in this. Its what hyphae do in the soil when they connect plants and trees: that mycelial interrogative intelligence that fastens things together by touching. For me the intelligence of collapse is in the unruly, funny, uncanny connections that happen by the nature of emergent systems.

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Landscape as Lover: Embodied Ecology and Personal Myth-Making

What does it mean to look at your wounding – physical, spiritual, emotional – not as an imperative towards self-healing, but a compass directing you towards the wounding of another species or landscape?

CDC: Mycelial intelligence emerges strongly in your writing. How did you stumble into this teeming world underneath the surface of things and engage in those life systems?

SS: I grew up in the woods and I loved decay and rootlets and mushrooms. I connected them with fairytales and to the magic which isn’t necessarily ‘good’ but chaotic, in the trickier sense of fairies being capricious and unpredictable. But then I became mysteriously ill at the age of 16 and couldn’t be diagnosed. At the same time I became interested in mycorrhizal networks and rhizomatic thinking as a philosophical lens. Then, at the point that these concepts became a key part of my poetic, ecological inspiration, I finally got diagnosed with my condition which was connective tissue disease (EDS). It felt as if I had been seeded genetically with this passion because fungi are the connective tissue of the soil, holding it together, creating highways for bacteria, breaking down dead matter and providing nourishment for other beings. And what I needed was healthier connective tissue.

So for me it’s become a frame: how can we wed our personal wounds with the wounds of something more-than-human? How we look at our physical ailments, our psychological anguish not as something that teaches us about ourselves but that reorients us to something else outward.

CDC: Did your practice to explore ‘deep life’ arise out of your condition also?

SS: My life goes through bottlenecks, and the practice emerged out of an oscillation with going in and out of restricted mobility and illness. The pandemic has been a megaphone for this experience. There is too much information, we can’t hold it all in our minds, and there’s a problematic idea that we feel we need to know everything to be environmentally active. But it is impossible and it paralyses people. What is more interesting to me is to ask: what is happening within a five mile radius of my home, what are the invasive species that live here? What is the Indigenous history, can I go out and walk every single day? Can I find a sit spot? Can I begin to gather a council, a world of witnesses that constitute me relationally?

The air I am breathing is infused with the microbiome: with pheromones, with smells, with pollen, the spores of a very specific place. It is easy to be focused on charismatic causes, old growth forests that are whole continents away, or animals that are very attractive, but the truth is the thing that holds you and metabolically constitutes you is your home, so how can you go deep with a home?

I was inspired by adrienne maree brown and their work on how movements are often very superficial, a mile wide but an inch thick, so the connections are not resilient. Resilient ecosystems have that tight-knit connectivity that make a landscape or environment able to shift and adapt intelligently to ecological pressure, to anthropogenic activity. So I am much more interested in the inch-wide, mile deep movement, where the connectivity is so intense and intimate it actually helps people and other beings survive.

CDC: A lot of our approach to the ecological crisis uses the lens of science. In the sense your writing is an exercise in imagination, what role do you feel imagination plays to help penetrate these deeper levels?

SS: I gained my main inspiration for deep life from the philosopher Gaston Bachelard, who used scientific facts in his work but infused them with a healthy dose of miracle mind and imaginative poetic sensibility. Bachelard believed that poetry was the closest way to get to the truth, not facts, and this is also how I function. Science is a useful tool, a way of asking questions. But we can also invite more people into these interrogative relationships with their ecosystems, landscapes and local issues, not by creating a sterile language but by infusing this interrogative tool with sensuality, by embodying it. I’m interested in enfleshing ideas rather than shaving them down. Can we use science to root us back into the landscape?

CDC: If writing and art can create a culture that faces crisis, rather than distracting from it, do you feel this poetic imagination helps us navigate what is happening in the world?

SS: We have a problematic cultural aversion to beauty being useful. Poetry is connected to my ideas about beauty. Not an objectified artificial glamour but beauty as being the thing we are attracted to, in the way a bee moves towards a flower and incidentally pollinates it. As you pay attention to what you love and what you are attracted to, it will guide you into your ecological niche, where you are most useful.

So if we pay attention to the poetry in our lives, it shows us where we belong. Acting like an acupuncture needle in a landscape, we will find the beings, the issues, the stories, we need to provide a mouth for.

CDC: You speak about being a mouthpiece for the expression of the more-than-human world and that sometimes the knocks and difficulties we undergo are actually an invitation to open, and allow a wound to be a doorway, and allow other forms to speak through us, to be an expression in words and song and image for the planet. What has been your experience of that process?

SS: I think the dominant cultural paradigm is we must be constantly progressing, integrating, healing, so that we can get back to work, and that for survivors of violence and sexual trauma, and illnesses that don’t have a cure, those narratives don’t work, they don’t map on to our lived experience.

So instead of thinking we are always failing, narratively and physically, what would it mean to recontextualise these wounds as portals? As connective tissue. Although we are more porous how does that porousness allow us to understand microbial life, ‘smalls’, beings that don’t necessarily get our attention? I’ve done a lot of healing and therapy, but I’ve never been fixed, so instead of problematising that incompleteness, that liminality, I’ve tried to think of it in terms of process philosophy, so I am a doorway which matter flows through, and my experiences have opened that door wider. Instead of trying to close it all the time and enter back into a legibility culturally, what if I open that ‘door’ wider and open it so that I can be in service to the general aliveness and not to my particular aliveness?

CDC: You also speak about your work as creating compost or soil for other beings later on. This is a whole different attitude to writing and requires a different kind of generosity.

SS: If we look at the history of storytelling, it was not about individual authorship. Homer is actually a practice, people stepped into the role of Homer; in the same way as when composing Orphic hymns, people became Orpheus. You embodied Orpheus.  This is important because of my condition. I have stories I want to tell, things I care about, but I also know that my individual life may not be long enough or hardy enough to complete this work. So what if I reframed authorship and took it out of modernity and said: what if I am making good soil, what if I am beginning the composting process of these ideas, so my particular life is not the only vehicle of its completion? What if someone else can come plant in this soil and sprout something else? So when I make art these days it is about creating space which other people can enter into, it’s not about me as an individual charismatic author.

CDC: You write in one of your essays of perceiving your body as an ancestor, an assemblage of ecosystems, how do you tap into that kind of awareness?

SS: This porousness that was caused by trauma and illness gave me a big sense of myself as an instrument being played  – by microbes, by yeasts, by fungi, by other people. So sometimes the music that comes through me is not my own. And then when I read more about the science of the gut-brain axis, and about deep time and the history of our cells, I was given a comforting lens that I am a collaboration. When we focus on an individual sense of ourselves, it can act and feel like a weight. We always have to be an author, to know what the next best step is, and be in control of our lives. But if we think of ourselves as being a kind of ecosystem, we can understand that we are sometimes acting intuitively, in relationship with something else that is authoring us. 

So in the essay, ‘Your Body is an Ancestor’, what I was thinking about is that we don’t need to create rituals. Our body is a ritual, our cells are a product of anarchic queer lovemaking whereby mitochondria and ancient prokaryotes fused to create the cells that build our bodies today. We are the product of these fusions.

In relation to confluence, there is a neo-Darwinian idea that evolution is an arrow of time that it is always pulsing forward, but the truth is that just as evolution is about forking, it is also been about fusing: these transversal intimacies, whereby beings and species suddenly and chaotically, unpredictably exchange information and fuse. Lichen is a good example, as it is an algae, sometimes a yeast, sometimes other bacteria, and a fungus, collaborating to create a new being. It is one of the dominant refrains in evolution that life is not just about forking. And I get this from fungi and anastomosis, which is a term from mycology and ecology when hyphae come back and fuse together, that moment of confluence, that anastomosis which means to provide a mouth for. Those moments of fusing, or collaboration and confluence, are about providing a mouthpiece for something else. 

Then it is less that we are individual species and more that we are relational. All thinking, all beings are interstitial. Thinking happens between mythic gradients, between beings, between conversations, between those ideas, those relational units where our roles are played out.

CDC: How does this affect us as storytellers and writers in a culture where everything is about the stars shining in the sky rather than the dark spaces in between, the invisible relationships that happen? Do you ever see your writing as acting like a mushroom in the sense of breaking things down, so that another form might happen?

SS: I think the most important aspect of my writing is that it doesn’t happen in solitude. I share my work publicly on social media, and I open it up to critique and conversation, so my writing happens not in me or in my readers but in the spaces in between. It is always being moulded and adapted according to the conversation. There’s an idea that you have to write in secret, come up with your own ideas and publish them in this sterile, finished product. But this is a very alphabetical, textual approach and it is also a recent idea. Stories and myths and scripture were originally oral and adaptive to changing social and ecological conditions and political climate. So I think the main thing about this interstitial space is always inviting my readers in to change me, to risk being changed by our conversation.

This article originally appeared:

https://dark-mountain.net/

SOPHIE STRAND

SOPHIE STRAND

Sophie Strand is a writer based in the Hudson Valley who focuses on the intersection of spirituality, storytelling, and ecology. Her first book of essays, The Flowering Wand: Rewilding the Sacred Masculine, will be published by Inner Traditions in Fall 2022 and is available for pre-order. Her eco-feminist historical fiction reimagining of the gospels, The Madonna Secret, will also be published by Inner Traditions in Spring 2023.

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Mentorship with the More-Than-Human World- Sophie Strand https://centerpost.rowecenter.org/mentorship-with-the-more-than-human-world-sophie-strand/ Wed, 13 Jul 2022 18:37:01 +0000 https://centerpost.rowecenter.org/?p=9966 The post Mentorship with the More-Than-Human World- Sophie Strand appeared first on The Center Post.

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Mentorship with the More-Than-Human World- Sophie Strand

It seems like every day a new guru, spiritual teacher, or self-help sovereign gets outed for sexual misconduct and harmful behavior. The followers of these people float off, betrayed and ungrounded, tugged between a desire for instruction and an increasing suspicion of all institutions. As much as I am an advocate of tapping into your own intuition, I think the need for guidance and mentorship is real. I just think we’ve been looking for it in the wrong places. We don’t need more gurus, more yoga teachers, more life coaches. We don’t need any more human teachers. We need to engage in an active, humble mentorship with the more-than-human world. A year and a half ago, I felt like trembling aspen leaves in a thunderstorm, flummoxed, kinetic, fresh. I’d been cannon-balled out of a long relationship, finished (and rewritten and revised and rewritten again and copy-edited) a 900-page novel. I felt both ready for anything and totally unprepared to tap into my true desires. Then quarantine hit. I’ve long depended on animals for guidance. I was lucky to grow up on an “accidental” farm otherwise known as what happens when your parents adopt every stray and “rescue” nine baby possums. A Chinese Goose called Samantha taught me about self-respect and loyalty. My irascible old tabby Teacake taught me about breaking the right rules, giving no shits, and confronting demons.

And the wild animals in our forest taught me how to forage, collaborate with other species, how to eat the sun, and how to shimmy through thorns and dense thickets. I tended to attract the “big guys.” Black bears. Mountain lions. Black Widows. Rattle snakes. Wolves. Rabid bats. Bald Eagles. Albino stags. The lessons these animals taught me were uncanny and transformative. Each one deserves its own book. 

So, when week two of quarantine hit, I felt the itch for a new teacher. It was time to call in an animal guide. Who would it be? I was newly single. I was experiencing a brief moment of health in-between health scares. I had finished a book that I’d been more devoted to than any romantic partner. I felt adrift, weightless as the cottonwood’s cloud-coated seeds. I think I was expecting something sexy. Maybe my personal favorite: the red-tailed hawk. Or a randy coyote. 

My mentor was decidedly unsexy. Or, at least, not sexy in the way I was expecting. He was fat, furry, and looked at me with suspicious eyes. And despite his near spherical shape, he was capable of great, if ungraceful, sprints across uneven terrain. His habit of streaking down a hill and diving into an invisible hole soon had me calling him Land Seal. Woodchuck, or Groundhog as he is also called, had come to teach me. 

But his mode of teaching was wholly unfamiliar to me. At first his approaches were tentative. I meditate on a hill overlooking the river, a spot special to the Munsee Lenape for thousands of years prior to colonization, every day. And every day, no matter the time, woodchuck would arrive, sometimes with his wife, to watch me. I admit, at first, I felt judged. Woodchuck seemed to be asking why I was meditating so much. Why was I walking and running so obsessively? Woodchuck munched grass several feet away, eying me derisively. I was being decidedly unproductive. I was not maintaining a complex network of tunnels, complete with bedchambers and an actual bathroom. I was not mating with others of my kind, gestating handfuls of warm fur. I was not eating clover and grass. 

Okay. I’d really like a different animal, I pleaded. 

But then Woodchuck started to come closer. I’d be deep in reverie, trying to understand what to do with dreams that melted away with more speed every hour. And then, hearing a snuffle, I’d jerk awake. Woodchuck would be sitting next to me, his goofy feet splayed, his paws held up like a rodent Hierophant, proclaiming some good news I couldn’t understand. “What!” I’d scream. And then he would run away. But he’d be back, a different version of him that lived closer to the river. Or a rare, near impossible mountain woodchuck showing up on one of my many hikes. He followed me everywhere. I tried to dig into ancient indigenous lore from the area, but came up only with the fact that there had been a figure called Grandmother Woodchuck. 

This did not seem like a beneficent grandmother. I couldn’t decide what he reminded me of as he stuck his head up from one of his many entrances into the hillside, chuckling and snorting. It took me several months to realize who Woodchuck was. Woodchuck, ungraceful, unpredictable, athletic, desirous of good food and underworld coziness, tricky, discerning, and always up for being the funniest being in the forest, was a reflection of me. Or the me I had lost and needed to find, hidden in the grass-plush, well-swept underground vaults of my groundhog guardian.

Soon I was feeding him carrots, cherries, handfuls of clover I picked. And soon he was approaching me, when I was walking with friends and family. Actually, he would charge me, erupting from behind a stone and running straight at me, diving between my legs. While I was enchanted, the trick was alarming enough that it scared the people I was with. Okay. Noted. Be alarmingly quick. Acrobatic. Entrance lovers with physical feats that frighten everyone else present. Sit very still in the sun until your fur sparkles like mica in a cliff face. Needless to say, Woodchuck wisdom was helping to regrow my child-like confidence, my love of play and dirt, but he was certainly not helping me get any dates.

It wasn’t until May, driving home on the highway through a freak hailstorm that I finally understood his appearance. Cars streamed by at 70 miles per hour. And, rain-soaked, caught against the dividing guardrails, was Woodchuck.

I didn’t think. I threw the car into park in the middle of the highway and ran out. I held my arms out to Woodchuck and Woodchuck leapt into my arms. I ran through cars to the forest with Woodchuck in my arms. He was surprisingly light. A soggy loaf of bread. But the energy within him was almost nuclear. He smelled like cut-pine, like a lightning strike, sharp and inhuman. As I put him down, he turned back and lightly nibbled my hand, not even a bite. A parting kiss. His eyes were liquid cosmos. He dove in-between wet barberry bushes and was gone.

“LADY. THAT WAS THE CRAZIEST THING I EVER SEEN. YOU MUST BE INSANE,” a woman screamed at me as I ran back to my car.

“I AM! I AM VERY STUPID.” I screamed back, already internally cursing myself. I’d had rabies shots years before. But could woodchucks get rabies? Fuck. My autoimmune condition meant I had terrible reactions to vaccines. Why had I done such a stupid thing? He hadn’t broken the skin, but he nibbled me next to an already open cut on my hand.

The NYC DEC was firm. I needed the full rabies vaccine protocol. Five different shots over the course of two months. Hyperventilating, I sat with my Tarot and pulled a card. What is this about? Strength. The woman taming the lion. The short story is that the series of Rabies vaccination was a helpful exposure therapy with hospitals, vaccines, and got me much needed cardiac evaluations I had been avoiding. Most importantly the shots enabled me to freely, and safely, touch and interact with wild animals, something that started to happen with increasing frequency after that wild rescue on the highway.

But Woodchuck had taught me something more important. Sometimes we don’t understand our purpose. We think we are the main character. But I’m not entirely unconvinced that my entire life wasn’t just about that moment. About that unthinking second when I leapt out of my mind and into action. Maybe I was born to save Woodchuck. And Woodchuck, reflecting back my spunk, my ungraceful physical agility, my brand of weird humor, saved me.

Just yesterday, walking by a familiar field, I saw a woodchuck I know well, lying dead. But he wasn’t alone. Thirteen huge vultures had descended. They were gracious and coordinated in their feast, letting two dine and then floating away so two more could approach Woodchuck’s feast. My horror dissolved into wonder. Woodchuck was becoming wings. Becoming beaks. Becoming many, many different beings. I realized, dead or bumptiously alive, his lessons would never stop arriving. I can’t put it any better than the poet Linda Hogan: “To enter life, be food.”

Thank you to philosopher/magician David Abram for the phrase “the more-than-human world”. I recommend reading his books The Spell of the Sensuous and Becoming Animal.

This article originally appeared:

https://braidedway.org/

SOPHIE STRAND

SOPHIE STRAND

Sophie Strand is a writer based in the Hudson Valley who focuses on the intersection of spirituality, storytelling, and ecology. Her first book of essays, The Flowering Wand: Rewilding the Sacred Masculine, will be published by Inner Traditions in Fall 2022 and is available for pre-order. Her eco-feminist historical fiction reimagining of the gospels, The Madonna Secret, will also be published by Inner Traditions in Spring 2023.

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A Father and Son Go Fishing- Chip Blake https://centerpost.rowecenter.org/a-father-and-son-go-fishing-chip-blake/ Wed, 13 Jul 2022 18:30:05 +0000 https://centerpost.rowecenter.org/?p=9960 The post A Father and Son Go Fishing- Chip Blake appeared first on The Center Post.

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A Father and Son Go Fishing- Chip Blake

I bought my first tackle box at Paul’s Tackle Shop on Talbot Street in Ocean City, Maryland, in 1972. It’s blue and made by a company called Old Pal. Some internet research suggests that Old Pal went out of business in the 1980s, but Paul’s Tackle Shop is still going strong and looks pretty much the same as it did when I was a kid — except that it’s now called Skip’s Bait and Tackle. 

I’ve long since graduated to a new tackle box, but last year when it became apparent that my son needed one of his own, the Old Pal came out of storage and he and I outfitted it. The hinges are bent and sticky but mostly it works as well as it did in 1972. It contains a few pieces of equipment that I inherited from my father, and one piece — a crab line on a wooden spool — that my father inherited from his father. 

In my life and career as an environmentalist, I have grown accustomed to hearing the world defined in terms of scarcity and fragility. That’s logical, because so much of the world is less abundant than it used to be, and more broken than it used to be. Out of that worldview grows a sobering litany of the world’s diminishment — declining biodiversity, depleted oceans, vanishing wildlands, an unstable climate — that many of us know by heart, and all too well. 

Yet these losses don’t seem to have had much of an effect on humanity’s behavior, or its hunger for our planet’s natural resources. In fact, it often appears that humanity’s main response to the earth’s clear signals about the finiteness of natural resources has been to work harder to exploit what’s left — rather than look for ways to curb our appetite. 

But here’s the problem: when I stood with my son on the Ninth Street Pier in Ocean City this August, with that blue tackle box at our feet, it felt like it was 1972 again. We caught the same Maryland blue crabs and sea bass and flounder that I did as a kid. And, in his exuberance, my son had much the same experience that I did at his age, in this place. There was no sign of scarcity, not in the animals around us, and especially not in his enthusiasm and awe. 

It’s very easy—even convenient—to imagine that scarcity will inspire imagination and action. And it may — we have to listen carefully to the troubling signals that are all around us and respond with the best of our creativity. I don’t know whether my son’s children, should he have them, will have fish and crabs to catch. Who even knows whether the pier will still be there, or if instead it will be buried beneath the water. 

But that day in August, there were crabs and fish in the bay, and pelicans and royal terns overhead. I found myself feeling inspired by the fact that this place is tough and resilient enough to persist much as it did decades ago — albeit with the close management of many people and agencies who have worked hard to ensure that that is the case. As for my son, his imagination, that day, was stoked by a simpler and purer thing — a crab, rising from the water on an old crab line, about to be scooped into a net. 

This article originally appeared:

Autumn 2015 issue of Orion magazine

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CHIP BLAKE

CHIP BLAKE

Chip Blake is the former Editor-in-Chief of Orion and Milkweed Editions. Articles and books he has edited have been nominated for or won the Pushcart Prize, the PEN Literary Award, the John Oakes Award in Environmental Journalism, the John Burroughs Medal, the Minnesota Book Award, the Oregon Book Award, the National Magazine Award, and have been selected for inclusion in Best American Essays, Best American Science & Nature Writing, and the New York Times Notable Books of the Year. He serves as a judge for the National Endowment for the Arts and the American Society of Magazine Editors.

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Lessons from the Desert in Times of Crisis- Mary Reynolds Thompson https://centerpost.rowecenter.org/lessons-from-the-desert-in-times-of-crisis-mary-reynolds-thompson/ Thu, 12 May 2022 15:39:21 +0000 https://centerpost.rowecenter.org/?p=9860 The post Lessons from the Desert in Times of Crisis- Mary Reynolds Thompson appeared first on The Center Post.

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Lessons from the Desert in Times of Crisis- Mary Reynolds Thompson

If the desert is holy, it is because it is a forgotten place

that allows us to remember the sacred.

 

Perhaps that is why every pilgrimage to the desert

is a pilgrimage to the self.

There is no place to hide and so we are found. ––Terry Tempest Williams

Emerging from months of sheltering in place, I think, metaphorically, of how this has been a desert time. We have endured unimaginable levels of isolation. Simultaneously, with so many distractions removed, our illusions have been stripped from us, our society and souls laid bare.

At times it can feel like the end of the world, almost apocalyptic. The word for apocalypse comes from the Greek word, Apokálypsis, which means “lifting of the veil”, or finding the hidden, secret thing. As many have written, during these past tumultuous months, our social, economic, racial, and healthcare systems have been exposed for what they are––fragile at best, horrendously unjust and brutal at worst.

In this moment of revelation, when so many underlying assumptions, even certitudes about the world are turning to dust, the tension is almost unbearable: Will we move in the direction of change and growth? Or will we attempt to retreat from the realities we confront?

For the desert snake, there is no choice. The snake must shed its old skin in order to make room for growth or it will die. In terms of our own lives, we, too, must recognize that if we don’t take this opportunity to grow and evolve, even worse suffering will ensue. So much depends on releasing our outmoded structures, beliefs, and destructive ways of being.

Today, with even greater urgency, we are being called to the deep work of death and renewal. In order to begin shedding, the desert snake makes a tear in its skin by rubbing against a hard surface. We also need to be willing to withstand the friction and tension required in order to let go of what no longer serves us.  

There is another Greek word that speaks to our times. The Greek krino, for “crisis,” also means separating. Contemplating the desert landscape, we realize that change is inevitable. We will be separated from the old ways. Nothing in the desert is permanent; wind and water constantly shift and shape the land. A flash flood can re-form the entire terrain in a moment. Even if you wanted to, you cannot hold on.

The energy it takes to cling to a failed system, once loosed, can open us to the beauty of what is possible. By doing the hard work of shedding what limits us and keeps us small, we are growing our visions and souls large enough to contain the new world that is emerging.

 We are vulnerable. We are scared. But we are changing.

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Mary Reynolds Thompson is the author of Embrace Your Inner Wild and Reclaiming the Wild Soul: How Earth’s Landscapes Restore Us to Wholeness. She is also an instructor for the non-profit TreeSisters, a facilitator of poetry therapy and journal therapy, and a certified life coach who has helped thousands of people discover and live their Wild Soul Story. She is the founder of Write The Damn Book, a program that guides writers on the heroic journey from procrastination to publication, and is a core faculty member of the Therapeutic Writing Institute in Wheat Ridge, Colorado.

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Entering the Forests of our Imagination- Mary Reynolds Thompson https://centerpost.rowecenter.org/entering-the-forests-of-our-imagination-mary-reynolds-thompson/ Wed, 13 Apr 2022 13:43:51 +0000 https://centerpost.rowecenter.org/?p=9801 The post Entering the Forests of our Imagination- Mary Reynolds Thompson appeared first on The Center Post.

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Entering the Forests of our Imagination- Mary Reynolds Thompson

It was after ten o’clock at night, and I was returning to my cabin nestled amid the redwood trees at a retreat center in the hills above Santa Cruz. I had been teaching a class on writing called “The Root Voice,” and I was ready for sleep. But the air was warm, the stars brilliant, and, with everyone in bed, the night tranquil. I turned away from my cabin and walked deeper into the woods.

Above me, the wind in the treetops filled the sky with the ocean’s roar. Beneath my feet, the Earth spun black as the heavens, so that the trees seemed to grow out of the sky and the ground simultaneously. Blackness wrapped around me and the damp earth, with its mix of sharp pine and dank scent. I heard the snap of branches, the crackle of dry pine needles; imagined eyes lighting up the forest like starlight. An owl screeched, beak and talon tearing into the night. Everything soft in me trembled. 

I could have headed back to the safety of my cabin there and then, but like a child enthralled by a scary fairytale I was pulled toward the enchanted world of the dark forest. I was five years old again, listening to my father weave yarns of witches, dark woods, and decaying castles. I sought out the scary places back then in Grimm’s fairy tales, read late at night by flashlight, inviting ghosts, goblins, and giants to follow me into my dreams. And I sought the scary places again that night as the moonless forest enfolded me.

When I was a little girl I often played in Holland Park in London. Not the wild woods, exactly, but with enough leafy chestnut trees and sinister-seeming corners to infuse me with excitement. Darkness is dangerous. But it also holds wonder and magic. It brings us closer to the ultimate mystery of things. Immersed in darkness, our imaginative powers grow. We conjure the light with clay, claw, and pen. 

If you have ever dared to brave the depths of your creativity, you know the power of darkness––know the world is a mystical and mercurial place. In the forest you glimpse a flash of feathers in the boughs, a paw print in the dirt, and you are graced. But you are also stalked. Something out there is seeking you too. It will only reveal itself if the moment is right.

Entering the woods, you are as much the hunted as the hunter. Lines of poetry pursue you; ideas and images track you. Beneath the shadowy trunks of trees, visions unfurl. A fallen log becomes a bear; a snake’s camouflage disappears her back into the forest; a hummingbird is there … is gone. 

Did you see it? Was it real? 

The wisdom you seek here can be experienced but never possessed. Wild, ancient, primal, it moves through the shadows. The presence of such mystery and immensity is overwhelming. You may have to fight the urge to break the tension by running away. But if you remain, at least for a while, things will happen. In this uncertain world, creativity flourishes. 

We may seek straight paths and the straightforward approach, but it is a Universe both circular and shrouded that shapes us. Physicists tell us that dark matter and dark energy comprise 95 percent of the Universe. With all our technologies, all our instruments, we have observed less than 5 percent of the cosmos. What scientists have measured, we sense with our souls. Entering the forest, we know we are bound by darkness, born into mystery. 

The light of modern consciousness burns brightly, but the Earth was never meant to be bare of trees, nor our souls fully exposed to the light of reason. We are meant to include some element of uncharted terrain in our makeup. A clear-cut area becomes drier and less fertile with time, just as we, too, are diminished by a modern mind-set that wants to elevate rational thought and industry at the expense of vision and spirit.

Mystery is wild. All forests hold an element of danger. What you run into can be menacing, even deadly. A wild creature can kill you. You can set out and become dangerously lost. But if you take the mystery out of life, you squeeze out your capacity to marvel. Avoiding risk, you bypass magic. 

As I walked that night in the redwood forest on the hills above Santa Cruz, I knew mountain lions roamed close by. The staff at the retreat center had told me it was dangerous to walk alone after twilight. I peered into the gloaming forest, perceived shadows prowling in the underbrush, felt the hair on my neck rising. So when something moved in the trees, I was certain what it was. I screamed. 

What emerged that night in the forest wasn’t the fierce and predatory creature of my imagination, but rather a tiny white moth, luminous, coming toward me on wings both delicate and strong.

Imagination flitters through us like this—always surprising, always wondrous. And we search for it in the darkness. 

Excerpted from Reclaiming the Wild Soul: How Earth’s Landscapes Restore Us to Wholeness 

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MARY REYNOLDS THOMPSON

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Mary Reynolds Thompson is the author of Embrace Your Inner Wild and Reclaiming the Wild Soul: How Earth’s Landscapes Restore Us to Wholeness. She is also an instructor for the non-profit TreeSisters, a facilitator of poetry therapy and journal therapy, and a certified life coach who has helped thousands of people discover and live their Wild Soul Story. She is the founder of Write The Damn Book, a program that guides writers on the heroic journey from procrastination to publication, and is a core faculty member of the Therapeutic Writing Institute in Wheat Ridge, Colorado.

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Refuge in a Thunderstorm: Lessons From Leading a Nature-Connected Life- Dan Gardoqui https://centerpost.rowecenter.org/refuge-in-a-thunderstorm-lessons-from-leading-a-nature-connected-life-dan-gardoqui/ Wed, 09 Feb 2022 17:12:07 +0000 https://centerpost.rowecenter.org/?p=9660 The post Refuge in a Thunderstorm: Lessons From Leading a Nature-Connected Life- Dan Gardoqui appeared first on The Center Post.

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Refuge in a Thunderstorm: Lessons From Leading a Nature-Connected Life- Dan Gardoqui

Refuge in a Thunderstorm: Lessons From Leading a Nature-Connected Life

by Dan Gardoqui

This podcast originally appeared:
https://leadwithnature.libsyn.com/

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DAN GARDOQUI

DAN GARDOQUI

Dan Gardoqui is a nature-based consultant, skilled mentor, bird language expert, certified wildlife tracker with over 30 years experience. He has a M.S. in Natural Resources and served as Science Faculty at Granite State College for a decade. Dan has contributed to wildlife studies and served as science & audio editor for the book What the Robin Knows. You may know him from his “Learn a Bird” series on YouTube and Instagram TV or his bird mimicry skills. Dan is the founder & principal of Lead with Nature based in Southern Maine.

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How Nature Invites Us into the Sacred- Victoria Loorz https://centerpost.rowecenter.org/how-nature-invites-us-into-the-sacred-victoria-loorz/ Fri, 14 Jan 2022 17:43:19 +0000 https://centerpost.rowecenter.org/?p=9560 The post How Nature Invites Us into the Sacred- Victoria Loorz appeared first on The Center Post.

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How Nature Invites Us into the Sacred- Victoria Loorz

The divine communicates to us

primarily through the language of the natural world.

Not to hear the natural world is not to hear the divine.

—Thomas Berry, The Sacred Universe

 

On the edge of the barranca, behind the 1970s Southern California suburb where I was a teenager, among the sagebrush and valley oaks, I had a Place. Before it was completely developed into million-dollar homes, this canyon’s edge of the barranca was my Place. I never brought anyone else there. I never talked about it to anyone. It was a secret.

I liked the getting there nearly as much as the being there. The path wandered through tall-as-me wheat- looking weeds that squeaked when you pulled the heads out. Boulders and even taller brushes of scrubby sage and laurel sumac defined a particular path, a deer trail that looped around the edges of the barranca wall.

The entrance was appropriately hidden. To recognize it, you needed to train your eyes and leave markers like stones atop one another or a small ribbon tied to a broken branch. It took me several visits before the homing beacon of the Place would draw me there without annoying backtracking. But once I knew precisely where to pull aside the scratchy pointed leaves of the sprawling oak brush, my Place would be revealed. It was a small clearing on a scrubby cliff that looked out over a mysterious campground that I couldn’t quite see.

The acoustics of the canyon allowed me to listen in on entire conversations of strangers at the campground who didn’t realize the walls amplified their voices. I felt deliciously invisible, imagining whole lives of the unseen but clearly heard people beneath the rocks sixty feet below me.

But the humans were not my primary interest. The hawks were. The lizards and the spiders were. The cloud structures. The warm Santa Ana winds. A particular scrub jay stopped being a bird in the background and became a sacred other: one whom I encountered in second person. She became familiar to me, and I would look for her every time I visited.

I made a circle with rocks. And around that, a square with sticks. And inside the circle, a triangle with three branches. I was adapting a symbol I knew from YMCA camp: a cross in the middle of a triangle in the middle of a square in the middle of a circle. It just didn’t look right to me, so I rearranged it. In the middle of the triangle, where the cross is supposed to go, was the space for me. From this vantage point, at the crest of the barranca cliff, protected by amulets of ritual I didn’t fully understand, I would sit. And listen. And watch.

Twice a year, sheep grazed in the fields on the other side of the canyon. Sheep. In fields, baaing. Seriously. In my suburban California town. That doesn’t happen anymore, but even then it felt surreal. They even had little cowbell collars. It was so enchanting that those sheep still show up in my dreams. In my world of swim meets, algebra exams, and long notes to my best friend left in her locker, these sheep were threshold totems, inviting me into another world.

Once, near dawn, a single, curious doe came to see what I was doing. She didn’t notice me at first, but when our eyes locked, she didn’t run. As we stared at each other, I saw her alarm melt into curiosity, and some kind of deep knowing passed between us. I didn’t even try to understand it; I felt honored and grateful. It was a sacred moment, though I didn’t use those words then.

I longed for her return every time I went to my Place. In fact, the hope of seeing her again was half the impetus to head out there at least once a week. She only returned once, which was a little disappointing and confusing, until I read about a similar encounter Mary Oliver captured in her poem, “The Place I Want to Get Back To.” The poem, which is about a numinous visit by two does, explains that “such gifts, bestowed, can’t be repeated” [1]. They can, however, become beacons to show you the way. Numinous presence through deer became an important beckoning toward the divine for me, a gentle nudge to pay attention.

I didn’t know it then, but I was learning ceremony. I was learning to meditate. I was learning prayer. I was learning that God is found in the bushes, hidden from the trail, in communication with the birds and the wind, and in the trusting visit of the deer. My Place was slowly turning into our Place as I recognized that I belonged to a much larger story.

It took many years before I had a clue that this private ritual I had as a teenager was calling me into relation-ship with the land, the world, the sacred, and my own soul. I was unaware that the relationship I built with this particular place held the DNA for a calling and expression of vocation that would develop in my life. I didn’t realize that this little sanctuary was an initiation into my own direct experience of God—my first church of the wild.

***

 

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Nearly forty years later, a small group of brave souls launched Ojai Church of the Wild with me. I’d been imagining it for a few years: a way to redefine church and reconnect with nature by meeting outside, without walls that block out the rest of the world. Under a cathedral of live oak branches, the altar would be a mandala created with acorns and dried leaves and rusted bits of barbed wire. I longed for church to be a place where Mystery is experienced, not explained.

The core of the service would be an invitation to wander on our own, to connect with the natural world at our own contemplative pace. We would find or create spiritual practices that re-member ourselves back into our home terrain as full participants. Reading from the “first book of God”—which is what the ancients called nature—the liturgies would include the whole world, not just humans. And instead of sermons from one preacher, we would learn how to enter into conversation with the living world. Sitting in a circle, not in rows, we would share our wanderings with one another and listen for the voice of the sacred in the sermons of the trees and the gnats and the crows.

And that’s what we did. After twenty years as a pastor of traditional indoor churches, I walked out the chapel doors and into the sanctuary of the oak trees. A small group of us put ancient-yet-new spiritual practices into place that reconnect us with the living world as sacred. And called it church.

***

“We are in trouble because we do not have a good story,” Catholic priest and evolutionary theologian Thomas Berry often said. “We are between stories. The old story is no longer effective. Yet we have not learned ‘the new story.’ We are talking only to ourselves. We are not talking to the rivers, we are not listening to the wind and stars. We have broken the great conversation. By breaking that conversation we have shattered the universe.”[2]

Over the last thirty years I’ve wrestled with this broken conversation as a pastor of indoor churches, a climate activist, a mother, and now as a guide who leads people in spiritual practices that reconnect them with the natural world. I’ve discovered something I’ve known deep down all along but never had the cultural, religious, or even internal permission to embrace: spirituality and nature are not separate. Attempts to keep them apart break the world.

These times restore that conversation. In doing so, we participate in the emergence of the new story. It will emerge through us.

The old story continues to be exposed as a story constructed in service to white supremacy and patriarchy. I’m writing this in the days of the COVID-19 pandemic, watching helplessly as forests on the West Coast burn and the ice in the Arctic melts. Ongoing police violence against Black people has triggered protests that are finally starting to wake up white people. At least some. There is not a single institution unaffected.

We are staring at the slow-motion collapse of an empire. Standing at the threshold of profound change.

We as a society are being asked to reckon with the reality that a select few have benefitted from a patriarchal society that has taken the gift of life on Earth and treated it as a right. Those in the dominant Western culture have demanded not just the fruit of the tree but the whole tree—and the water and sun and birds and beetles too— and consumed it all as if they were the only ones who mattered. As if the rest of Earth were here for their taking. For a person, group, or species to act as if they are the only ones who matter, they need to strip the inherent worth of those they wish to dominate and objectify them. Otherwise, domination is impossible.

Professor, philosopher, author, and visionary Carol Wayne White observed the same root of objectification underlying racial oppression, citing a “lethal combination of intimately conjoined white supremacy and species supremacy. . . . Both of these impulses—white supremacy and species supremacy—evoke a hierarchical model of nature built on the ‘great chain of being’ concept, and they have produced violent and harmful consequences.”[3]

The hierarchy that Dr. White names is deeply embedded in every aspect of our society and worldview. The needs and desires of those on the top of the pyramid are prioritized. Everyone and everything else is objectified and valued according to their usefulness by those on top. Forests become lumber. Cows become beef. Deer become game. Land becomes private property. People of color become cheap labor or a threat.

A false belief system of separation and dominance is opposed to every system of life, with disastrous consequences ecologically, spiritually, culturally, socially, economically, and every other-ly you can think of. These worldviews are so deeply embedded that it takes a lot of effort to even see them, much less change them.

The layers of crises and cruelty we face will not be solved with technological, political, or economic strategies alone. A deeper transformation of heart is necessary to welcome in a new story. Moving away from a worldview and a way of life that treats others as a “collection of objects” toward a new way of being human that participates honorably in a vast “communion of subjects” is what Thomas Berry calls “the Great Work.”[4]

The Great Work is spiritual at the core. Gus Speth, an environmental attorney, ecologist, and climate advocate, has summarized the problem brilliantly: “I used to think that top global environmental problems were biodiversity loss, ecosystem collapse, and climate change. . . . But I was wrong. The top environmental problems are selfish-ness, greed, and apathy, and to deal with these we need a spiritual and cultural transformation. And we scientists don’t know how to do that.”[5]

Do we spiritual people know how to do that? I spent twenty plus years in church leadership, and spiritual transformation was rarely, if ever, connected with actual cultural change that addresses these problems. I also spent a dozen years as a nonprofit leader in the climate movement, where spiritual transformation meant something more like “engaging faith communities” in the campaign of the moment. But it rarely meant developing a new way of life, directed by a spirituality that deepened relation-ship with the land and waters and species we were seeking to protect.

***

The spiritual transformation that both scientists and spiritual people are all calling for is not about bringing nature inside for the church to remember that God’s love covers everything. It’s not about having churches play nature sounds on cassette tapes. It’s about going out-side and spending time with the other beloved ones of Earth and offering our tender, gracious attention to their needs as well as our own. That’s what you do when you fall in love. This connection will give us the courage and the energy and even the ideas we need to challenge our prevailing consumerist mindset for the healing and restoration of our world. As simplistic as it sounds, I believe that only love is strong enough to bring about the change we need.

The new story is emerging, and I cannot pretend to know all the layers. Yet one aspect that seems essential relates to the worldview of belonging—a way of being human that acts as if we belong to a community larger than our own family, race, class, and culture, and larger even than our own species. The apocalyptic unveiling happening in our world right now makes it difficult even for those who have been sheltered in privilege to look away from the reality, both tragic and beautiful, that we are all deeply interconnected. Humans, trees, oceans, deer, viruses, bees. God.

Many people, whether they go to church regularly or avoid it, feel closest to God while they are in nature. Even a simple gaze at a full moon can be a spiritual experience if you are mindful enough. And a glorious sunset can summon hallelujahs from deep in your soul. Humans are made to engage in life-affirming conversation with the whole, holy web of life.

Those who self-identify as spiritual but not religious have told me that nature is already their church. They’ve said, “If this wild church had been an option for me, maybe I would not have left religion.” I understand. And relate. Many have been wounded, disappointed, betrayed by the institutional church or by the people who misuse the power that the institution of church gives them.

Nature, powerful though she is, doesn’t abuse her power. Re-placing our spirituality back into the actual sacred world, where it has been rooted for most of his-tory, is a way to restore our place in a more primal power embedded in systems of Earth. Wild church re-places a human “kingdom” paradigm of hierarchy, monarchy, and inequality with the power systems of Earth, which can be described as a “kin-dom” of cooperation and kindred reciprocity.

Church of the wild is one way to help us live into a new story of a kin-dom of God that includes the whole system of life and regards all humans and all species as inherently good and valuable. In this kin-dom we love neighbors—all neighbors—as ourselves. We do unto others—all others—as we would have them do unto us.

Can the world be saved by love alone? It sounds nice, like a meme with a sunset in the background. Some may want to call this a spiritual bypass: in our current state of crisis, the need for immediate and active resolution is real. Against what odds, in these coming days of unraveling, can love prevail? How can a civilization based on domination and control and selfishness and all the other disturbing things wrong with our society change into literally its opposite—before we succeed in destroying the entire planet? It’s implausible. And yet the preposterous transformative power of love at the core of nearly every religion, including my own, may just be the only way through.

 

Excerpted from Church of the Wild: How Nature Invites Us into the Sacred, by Victoria Loorz (Minneapolis:  Broadleaf, 2021)

 

[1] “such gifts”: Mary Oliver, “The Place I Want to Get Back To,” in Thirst: Poems (Boston: Beacon, 2007), 35.

[2] “We are in trouble”: Thomas Berry, quoted in Mary Evelyn Tucker and Brian Thomas Swimme, “The Next Transition: The Evolution of Humanity’s Role in the Universe,” in Spiritual Ecology: The Cry of the Earth, ed. Llewellyn Vaughan-Lee (Point Reyes, CA: Golden Sufi Center, 2013), 59.

[3] “lethal combination”: Carol Wayne White, “Black Lives, Sacred Humanity, and the Racialization of Nature, or Why America Needs Religious Naturalism Today,” American Journal of Theology & Philosophy 38, no. 2–3 (May–September 2017): 111, https://doi.org/10.5406/ amerjtheophil.38.2-3.0109.

[4] “collection of objects”: Thomas Berry, Evening Thoughts: Reflecting on Earth as Sacred Community, ed. Mary Evelyn Tucker (San Francisco: Sierra Club, 2006; Berkeley, CA: Counterpoint, 2010), 17. Citations refer to the Counter- point edition.

[5] “I used to think”: Gus Speth, quoted in Monty Don, “Religion and Nature,” October 1, 2013, in Shared Planet, BBC Radio 4, MP3 audio, 0:41, https://tinyurl.com/ 2nwahwse.

VICTORIA LOORZ

VICTORIA LOORZ

Victoria Loorz, MDiv, is a wild church pastor, an eco-spiritual director and co-founder of several transformation-focused organizations focused on the integration of nature and spirituality. She is the cofounder of the ecumenical Wild Church Network and co-founder and director of Seminary of the Wild, which is focused on a deep-dive yearlong Eco-Ministry Certificate program for all those who feel called by Earth and Spirit to “restore the great conversation.” Mother of two young adults, Victoria now calls Bellingham, Washington her home, a beautiful land along the Salish Sea on territory tended and loved for generations by the Coast Salish peoples, in particular the Nooksack and Lummi nations.

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